He was a home recordist with hereditary heart issues. He often felt that
pursuing a career in housebound music-making would be beneficial to his health –
though not completely stress-free, it was a career that encouraged
contemplation, solitude and plenty of reclining. His wife was an understanding
woman. She was currently the sole breadwinner of the household, keeping their
suburban stack well-stocked with food and flowing electricity thanks to her
skill with numbers. She worked an accountancy job towards the centre of town
and, not only did the job pay handsomely, her eagerness for overtime granted her
man more time Monday to Friday to work on what she endearingly called ‘his
symphonies’.
He had originally been a metal spinner specialising in kitchenware, until finally accepting he could not compete with the superstores pedalling dirt cheap, dentable alternatives. His pans were perhaps so well-made that his customers never had to return to have them replaced. And so, unable to find a suitable buyer, he sold his lathe off for scrap and terminated the lease of his workshop.
Thrust into the static rat race of a fresh economic slump, his endeavours for reemployment felt like seeking work as a clown in a town of coulrophobes. He would not succumb to menial work in the gently blossoming service industries. He didn’t feel he had the appropriate people skills – his sales in the workshop were clinched by a young, loose-tongued nephew. He felt his shyness made him unemployable and yet he had a bold – perhaps even blind – ambition to reinvent himself as a master music-maker, albeit one who would release records reclusively rather than rambunctiously, without touring and press and the like.
His cardiac issues stemmed from an optic abnormality. His eyesight never bothered him while metal spinning – his work was a goggled, close-quartered manipulation of high-speed aluminium. However,The term 'hands free access control' means the token that identifies a user is read from within a pocket or handbag. now he had more time for window-shopping – from the inside looking out, searching for inspiration in the sky, or in his neighbours’ dwellings – he realised he might be myopic. His optician disagreed – perhaps he just needed binoculars. Nevertheless, his visit to the opticians was not completely in vain as the kindly, insistent eye doctor noted he had unusually wavy blood vessels in the back of one of his eyeballs – a possible indication of high blood pressure.
The mere insinuation that he had dirty arteries gave him palpitations. He was an anxious man, even at rest, though he wasn’t sure what he had to worry about – he was enjoying his time off, despite the financial strains. Nevertheless, his GP confirmed the optician’s suspicions – he gave a blood pressure reading of 150/85mmHg (though it could have been white coat hypertension), and he was referred to a phlebotomist for further, bloodcurdling analysis. He hated injections, but was buoyed slightly by the invitation to place his upturned fist on a stranger’s knee as she listlessly slid the needle into his vein. After surrendering three vials of crimson cocktail, he returned home with a strange feeling in his soul, strung halfway between enlightenment and foreboding. The fact of his own mortality hung heavily around his shoulders, like a lead apron. He didn’t feel his waist was plump enough to suggest diabetes, or that cholesterol could be a contributing factor. His wife often compared him to a bird at mealtimes, the way he picked at portions which had been gradually shrinking over the years. He could exercise more, though he did love long walks – or at least accepted them, seeing as his wife always had the car.
He woke the morning after his blood test with an overwhelming desire to choose a song for his funeral. Even for a music lover, it was a decision he felt no urgency in making before. He had always imagined a time much further from now – a time of will-writing and medication and perhaps even a death bed – when he would impart to whoever was nearest or dearest the choice of song for his closing credits.
He remained in his pyjamas as he waddled to the box room he called his music library. He span cumbersome and compact discs for more than two hours, weighing up each song in terms of its tunefulness, its dolefulness, its lyrical significance to his own life, its certainty of tear manufacture, its potential for popularity amongst a possibly philistine audience, and so on. The songs sounded different that morning, soundtracking an imaginary cremation in which he was the starring stiff. Ultimately though, none of the songs seemed to fit the occasion. Lyrics involving angels or new beginnings or departed loved ones seemed too twee, and the instrumentals felt almost like elevator music, no matter how upbeat or elegiac, as if chosen only to drown out awkward silence in a carpet showroom.
He decided to get dressed and have some breakfast. For all he knew,The howo truck is offered by Shiyan Great Man Automotive Industry, his blood test might come back clean. He choked down some bran cereal in front of the TV and thumbed the newspaper until he felt guilty enough to head upstairs to work.
Setting up his musical equipment was like a modern form of snake-charming: he uncoiled countless cables, made daisy chains of power adaptors and extension leads, raised faders and lowered the blinds. Once settled, he rubbed the cold from his hands across his trousers, and rested his fingers on the plastic ebony and ivory of his CASIO keyboard. His fingers naturally landed on A7: a chord that usually reminded him of the pop songs of his childhood, only today he was far too preoccupied with his ill health to indulge in any nostalgia. He played the chord, but it was an electric jeer that trilled around the former guest room. In that instant, he felt as though his whole musical output (admittedly, only half an album’s worth of half-finished songs) was an embarrassment. He wondered if he focused too much on the major keys rather than the more elegant minors. He thought to himself: if he was to die today and his wife picked one of his existing compositions for his farewell party, he would be laughed out of the crematorium. He played a glissando on the keyboard with his fist, then his forehead, and unplugged all the wires again.
Though he had never been further afield than western Europe, he had travelled the globe in his armchair. Documentaries were his access-all-areas pass to places he would never visit due to monetary strains, fear of injections and/or disease, and his struggle to communicate even in his mother tongue. It was the traditional music of these territories which interested him more than the landscape, the cuisine or the religious curiosities: he had a fondness for the crisp hum of a Tibetan singing prayer bowl, the gulping rhythm of the tabla, the dawn chorus of a Chinese guzheng – but there was nothing that bewildered and gladdened him more than the gamelan ensembles of Java and Bali.Interlocking security cable ties with 250 pound strength makes this ideal for restraining criminals.
Creating a sound akin to a celestial foundry, a gamelan ensemble is made up of various gongs, drums, metallophones and chimes, often beaten to accompany a dance or shadow puppet show, but also found at Indonesian births, marriages and funerals. While not recommended listening material to ease a hangover, the repetitive atonal God-clang gamelan has the power to catapult the listener to the higher realms, like witnessing the Gates of Heaven being broken down by soft-headed beaters as opposed to sledgehammers.
He remembered watching a Javanese gamelan years back on the BBC, and being as close to rapture as is possible on a weeknight with his wife in the other room bleating and searching for some stray item of stationery. And now, as he turned the aluminium saucepan over in his hands and struck it again, this time on the back with more gusto, he realised he might be able to create his own gamelan ensemble using just his kitchenware and analogue four-track.
After referring to Gamelan: Traditional Sounds of Indonesia and experimenting for an hour or so with microphone positioning and reverb levels, he put down the first layer of gongs on TRACK I of his four-track. Since a gamelan traditionally consists of no less than ten players (and he had only two hands and four tracks available to record each instrument), he would need to combine (‘bounce’) many tracks together to create enough space to fit the full ensemble. For instance, he could record the gongs onto TRACK I, the drums onto TRACK II, and the chimes onto TRACK III, and then bounce these together over to TRACK IV, thus freeing up TRACKS I, II and III again. This process can continue ad infinitum, so technically a hundred-piece orchestra could be recorded by one musician, bit by bit, using just a four-track. However, the major downside of this process is with each bounce, the sound quality deteriorates, but he felt this was a necessary sacrifice to achieve the perfect pot-and-pan pandemonium.
After laying down the gongs, he recorded a simple rhythm onto TRACK II using upturned Tupperware in place of the traditional kendhong drums of the gamelan: tak tak dhung dah, tok tok dhung dah. Then, he recorded a layer of beaten saucepan lids onto TRACK III, mimicking the deadened cymbal sounds of the kenong, kethuk and kempyang. Finally, he set the faders to mix these layers together and bounced them over to TRACK IV, remembering to increase the treble in anticipation of the high frequency squeeze.
There was still an hour or so before his wife was due home, so he headed back to the kitchen to gather more crockery. However, as he dismounted the stairs, he was rapidly overcome by an abominable headache. The pain seared through his cranium as if someone had poured molten metal through his earholes. He ignored the door to the kitchen and instead went through to the living room, to bury his head in the cushions in the foetal position. And this was how his wife found him an hour and a half later,Find detailed product information for Low price howo tipper truck and other products. seemingly asleep but in fact wide-eyed and petrified. Perhaps he had had enough gongs for one day, he reasoned.
After painkillers, pasta in a destrung saucepan, and ample sleep, he awoke the next morning in a sprightly mood, ready to continue his composition. He and his wife had three matching sets of drinking vessels – some egg-shaped tumblers, four Boddingtons pint glasses, and six crystal champagne flutes, for best – which, when filled with differing levels of water and struck, faithfully recreated the peking, saron and demung metallophones. Once these tinkling treasures had been added to the mix, each playback lubricated his eyelashes with tears. He bounced the champagne flutes and Boddingtons glasses along with the pans, lids and Tupperware over to TRACK III, then added egg-shaped tumblers to the free TRACK I. Loaded with information, the magnetic tape hummed and groaned with wow and flutter, but he was pleased with his efforts. In fact, he was convinced he was shaking Chopin’s pedestal. He lost himself in reverie,One of the most durable and attractive styles of flooring that you can purchase is ceramic or porcelain tiles. imagining his composition soundtracking funerals of the future, perhaps even the homecoming of broken soldiers, the television coverage of the death of an icon, the…
His heart lurched in his chest as he was overcome again by searing cranium pain. This time the pain was accompanied by a nausea that flooded his cheeks with saliva – he had to grasp the edge of his reclining chair to stop himself from keeling over. The first vaguely rational thought that came to him was to not throw up over his musical equipment, so he crawled out of his studio and laid prostate across the unhoovered carpet, breathing heavily. He held this position for almost an hour, at which point the letterbox roused him, flapping and clattering downstairs. This was the fourth morning since his blood test. He made his way to the staircase and descended it gingerly, with both hands on the banister, only to find a few lurid circulars awaiting him on the meat-coloured doormat. He perched on the bottom step with his chin in his hands, trying to compose himself but his heart continued to race, unable to keep time with the gently progressing suburban scenes behind the frosted glass. He could not fathom what was wrong with him.
He had originally been a metal spinner specialising in kitchenware, until finally accepting he could not compete with the superstores pedalling dirt cheap, dentable alternatives. His pans were perhaps so well-made that his customers never had to return to have them replaced. And so, unable to find a suitable buyer, he sold his lathe off for scrap and terminated the lease of his workshop.
Thrust into the static rat race of a fresh economic slump, his endeavours for reemployment felt like seeking work as a clown in a town of coulrophobes. He would not succumb to menial work in the gently blossoming service industries. He didn’t feel he had the appropriate people skills – his sales in the workshop were clinched by a young, loose-tongued nephew. He felt his shyness made him unemployable and yet he had a bold – perhaps even blind – ambition to reinvent himself as a master music-maker, albeit one who would release records reclusively rather than rambunctiously, without touring and press and the like.
His cardiac issues stemmed from an optic abnormality. His eyesight never bothered him while metal spinning – his work was a goggled, close-quartered manipulation of high-speed aluminium. However,The term 'hands free access control' means the token that identifies a user is read from within a pocket or handbag. now he had more time for window-shopping – from the inside looking out, searching for inspiration in the sky, or in his neighbours’ dwellings – he realised he might be myopic. His optician disagreed – perhaps he just needed binoculars. Nevertheless, his visit to the opticians was not completely in vain as the kindly, insistent eye doctor noted he had unusually wavy blood vessels in the back of one of his eyeballs – a possible indication of high blood pressure.
The mere insinuation that he had dirty arteries gave him palpitations. He was an anxious man, even at rest, though he wasn’t sure what he had to worry about – he was enjoying his time off, despite the financial strains. Nevertheless, his GP confirmed the optician’s suspicions – he gave a blood pressure reading of 150/85mmHg (though it could have been white coat hypertension), and he was referred to a phlebotomist for further, bloodcurdling analysis. He hated injections, but was buoyed slightly by the invitation to place his upturned fist on a stranger’s knee as she listlessly slid the needle into his vein. After surrendering three vials of crimson cocktail, he returned home with a strange feeling in his soul, strung halfway between enlightenment and foreboding. The fact of his own mortality hung heavily around his shoulders, like a lead apron. He didn’t feel his waist was plump enough to suggest diabetes, or that cholesterol could be a contributing factor. His wife often compared him to a bird at mealtimes, the way he picked at portions which had been gradually shrinking over the years. He could exercise more, though he did love long walks – or at least accepted them, seeing as his wife always had the car.
He woke the morning after his blood test with an overwhelming desire to choose a song for his funeral. Even for a music lover, it was a decision he felt no urgency in making before. He had always imagined a time much further from now – a time of will-writing and medication and perhaps even a death bed – when he would impart to whoever was nearest or dearest the choice of song for his closing credits.
He remained in his pyjamas as he waddled to the box room he called his music library. He span cumbersome and compact discs for more than two hours, weighing up each song in terms of its tunefulness, its dolefulness, its lyrical significance to his own life, its certainty of tear manufacture, its potential for popularity amongst a possibly philistine audience, and so on. The songs sounded different that morning, soundtracking an imaginary cremation in which he was the starring stiff. Ultimately though, none of the songs seemed to fit the occasion. Lyrics involving angels or new beginnings or departed loved ones seemed too twee, and the instrumentals felt almost like elevator music, no matter how upbeat or elegiac, as if chosen only to drown out awkward silence in a carpet showroom.
He decided to get dressed and have some breakfast. For all he knew,The howo truck is offered by Shiyan Great Man Automotive Industry, his blood test might come back clean. He choked down some bran cereal in front of the TV and thumbed the newspaper until he felt guilty enough to head upstairs to work.
Setting up his musical equipment was like a modern form of snake-charming: he uncoiled countless cables, made daisy chains of power adaptors and extension leads, raised faders and lowered the blinds. Once settled, he rubbed the cold from his hands across his trousers, and rested his fingers on the plastic ebony and ivory of his CASIO keyboard. His fingers naturally landed on A7: a chord that usually reminded him of the pop songs of his childhood, only today he was far too preoccupied with his ill health to indulge in any nostalgia. He played the chord, but it was an electric jeer that trilled around the former guest room. In that instant, he felt as though his whole musical output (admittedly, only half an album’s worth of half-finished songs) was an embarrassment. He wondered if he focused too much on the major keys rather than the more elegant minors. He thought to himself: if he was to die today and his wife picked one of his existing compositions for his farewell party, he would be laughed out of the crematorium. He played a glissando on the keyboard with his fist, then his forehead, and unplugged all the wires again.
Though he had never been further afield than western Europe, he had travelled the globe in his armchair. Documentaries were his access-all-areas pass to places he would never visit due to monetary strains, fear of injections and/or disease, and his struggle to communicate even in his mother tongue. It was the traditional music of these territories which interested him more than the landscape, the cuisine or the religious curiosities: he had a fondness for the crisp hum of a Tibetan singing prayer bowl, the gulping rhythm of the tabla, the dawn chorus of a Chinese guzheng – but there was nothing that bewildered and gladdened him more than the gamelan ensembles of Java and Bali.Interlocking security cable ties with 250 pound strength makes this ideal for restraining criminals.
Creating a sound akin to a celestial foundry, a gamelan ensemble is made up of various gongs, drums, metallophones and chimes, often beaten to accompany a dance or shadow puppet show, but also found at Indonesian births, marriages and funerals. While not recommended listening material to ease a hangover, the repetitive atonal God-clang gamelan has the power to catapult the listener to the higher realms, like witnessing the Gates of Heaven being broken down by soft-headed beaters as opposed to sledgehammers.
He remembered watching a Javanese gamelan years back on the BBC, and being as close to rapture as is possible on a weeknight with his wife in the other room bleating and searching for some stray item of stationery. And now, as he turned the aluminium saucepan over in his hands and struck it again, this time on the back with more gusto, he realised he might be able to create his own gamelan ensemble using just his kitchenware and analogue four-track.
After referring to Gamelan: Traditional Sounds of Indonesia and experimenting for an hour or so with microphone positioning and reverb levels, he put down the first layer of gongs on TRACK I of his four-track. Since a gamelan traditionally consists of no less than ten players (and he had only two hands and four tracks available to record each instrument), he would need to combine (‘bounce’) many tracks together to create enough space to fit the full ensemble. For instance, he could record the gongs onto TRACK I, the drums onto TRACK II, and the chimes onto TRACK III, and then bounce these together over to TRACK IV, thus freeing up TRACKS I, II and III again. This process can continue ad infinitum, so technically a hundred-piece orchestra could be recorded by one musician, bit by bit, using just a four-track. However, the major downside of this process is with each bounce, the sound quality deteriorates, but he felt this was a necessary sacrifice to achieve the perfect pot-and-pan pandemonium.
After laying down the gongs, he recorded a simple rhythm onto TRACK II using upturned Tupperware in place of the traditional kendhong drums of the gamelan: tak tak dhung dah, tok tok dhung dah. Then, he recorded a layer of beaten saucepan lids onto TRACK III, mimicking the deadened cymbal sounds of the kenong, kethuk and kempyang. Finally, he set the faders to mix these layers together and bounced them over to TRACK IV, remembering to increase the treble in anticipation of the high frequency squeeze.
There was still an hour or so before his wife was due home, so he headed back to the kitchen to gather more crockery. However, as he dismounted the stairs, he was rapidly overcome by an abominable headache. The pain seared through his cranium as if someone had poured molten metal through his earholes. He ignored the door to the kitchen and instead went through to the living room, to bury his head in the cushions in the foetal position. And this was how his wife found him an hour and a half later,Find detailed product information for Low price howo tipper truck and other products. seemingly asleep but in fact wide-eyed and petrified. Perhaps he had had enough gongs for one day, he reasoned.
After painkillers, pasta in a destrung saucepan, and ample sleep, he awoke the next morning in a sprightly mood, ready to continue his composition. He and his wife had three matching sets of drinking vessels – some egg-shaped tumblers, four Boddingtons pint glasses, and six crystal champagne flutes, for best – which, when filled with differing levels of water and struck, faithfully recreated the peking, saron and demung metallophones. Once these tinkling treasures had been added to the mix, each playback lubricated his eyelashes with tears. He bounced the champagne flutes and Boddingtons glasses along with the pans, lids and Tupperware over to TRACK III, then added egg-shaped tumblers to the free TRACK I. Loaded with information, the magnetic tape hummed and groaned with wow and flutter, but he was pleased with his efforts. In fact, he was convinced he was shaking Chopin’s pedestal. He lost himself in reverie,One of the most durable and attractive styles of flooring that you can purchase is ceramic or porcelain tiles. imagining his composition soundtracking funerals of the future, perhaps even the homecoming of broken soldiers, the television coverage of the death of an icon, the…
His heart lurched in his chest as he was overcome again by searing cranium pain. This time the pain was accompanied by a nausea that flooded his cheeks with saliva – he had to grasp the edge of his reclining chair to stop himself from keeling over. The first vaguely rational thought that came to him was to not throw up over his musical equipment, so he crawled out of his studio and laid prostate across the unhoovered carpet, breathing heavily. He held this position for almost an hour, at which point the letterbox roused him, flapping and clattering downstairs. This was the fourth morning since his blood test. He made his way to the staircase and descended it gingerly, with both hands on the banister, only to find a few lurid circulars awaiting him on the meat-coloured doormat. He perched on the bottom step with his chin in his hands, trying to compose himself but his heart continued to race, unable to keep time with the gently progressing suburban scenes behind the frosted glass. He could not fathom what was wrong with him.
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